Previously...
Sarah drags the slider on the bottom of the video screen backward so that she can watch again. She sees herself and Molly side-by-side as Philip holds the gun aloft and aims it at them. The seconds pass so slowly that their sluggish movements are nearly imperceptible; the three figures seem to remain frozen for minutes on end, although Sarah can recall all too well the frantic debate going on as Philip inadvertently confessed to the murder spree and tried to convince Molly to leave King’s Bay with him.
She knew exactly what she would find in that video. Sure enough, when she finally had the privacy to watch it, there it was: the events of that day, the day her father was murdered, the day her mother killed a man in retaliation. She shudders at the thought that someone targeted her — them — and sent this video to… what? Intimidate them? Blackmail them? She pulls out her earbuds, deciding that enough is enough and that today is the day she must stop pretending this video doesn’t exist. After he drops Sophie off at school, Jason Fisher points his car in an unusual direction. Normally he would head to the arena to begin work; today, however, he has a very special agenda. On his way to Natalie Bishop’s apartment, he stops at Cassie’s Coffee House for a pair of lattes. As he is thanking the cashier and sticking his debit card back into his wallet, he hears the familiar chime that signals the opening of the door. He glances up reflexively and sees Sabrina Gage entering the coffee house. She diverts her eyes toward the floor and hesitates. Jason moves to the end of the bar and attempts to distract himself with his phone while awaiting his order, but by the time Sabrina has finished paying, his drinks have still not been called. He takes a deep breath and approaches her. “Hey,” he says. She looks up warily, as if she’s turning a corner into a dark alley. “Hi." “Listen. I owe you an apology.” Sabrina reacts with surprise, but there is still something cautious about her demeanor. “It was wrong of me to snap at you the way I did.” Embarrassment washes over him as he recalls how he practically ran her out of the arena with a flaming pitchfork. “You weren’t up to anything, and it wasn’t my place—" “It’s okay,” she says. “It isn’t." “I understand. That woman who used my name— she caused you a lot of pain. And it looks like you’re going to get your wish, anyway." “What do you mean?" “My boss is dead,” she says, folding her arms in front of her simple black coat, “and I can’t exactly use a dead serial killer as a reference, so unless there’s a miracle, I’m going to move back with my parents in Iowa.” She glances at the baristas moving busily behind the counter. “I probably shouldn’t even be spending money like this, but the number of coffees I would have to skip to save enough for rent is crazy, so…” She shakes her head. Jason feels a stab of shame. His thoughts of her in recent weeks have been about how badly he feels for what he said to her, but he has hardly considered the fact that this poor woman must be dealing with the fact that she was working for a murderer and had no idea. As he studies her now, he can see how fragile she is, even though her coma is a thing of the past. She appears as if she might be one hard knock away from breaking. “You must be reeling from finding all that out about Philip,” he says. She nods. “I’m sorry about your father. If I’d had any idea… Just goes to show how not ready for the real world I am, if I had no clue that Philip was that evil.” “None of us did." She just shrugs. Jason is trying to figure out what else to say when he hears a barista call his name. “Thanks for your apology,” Sabrina says. “That was nice of you." “It’s the least I can do.” He takes the two cups from the barista and then says to Sabrina, “Good luck." “Thanks." Jason takes the coffees and leaves the shop, but the sadness in her face stays with him long after he pilots his car out of the parking lot. * * * * * “What did you and your parents decide about school?"
“I asked how you feel about the decision." Tori regards the therapist silently. She doesn’t like the woman’s glasses, which are way too round for her face, or her bob haircut, which is too severe, or the sweater jacket that is at least a decade out of style. But what she hates most is that soft, condescending tone that Dr. Nguyen uses — as if she thinks she’s fooling anyone into thinking that she is doing anything other prying for info. “I don’t really have a choice,” Tori says. “Classes start Monday, and I’m not registered for them." “If you could register for them, would you?" “I can’t, okay? And maybe my parents are right — I’m too tired and I look like crap and I don’t really want to deal with everyone on campus asking me questions." An awkward silence descends upon the office — at least, that’s how it feels to Tori. The doctor, however, sits there as placid as ever, neither her face nor her body betraying any kind of reaction to Tori’s response. “How’s your physical therapy going?” she asks at last. “It’s fine." More silence. “It’s hard,” Tori says when she can’t stand the quiet any longer. “I’m so sore. And tired.” Dr. Nguyen nods sympathetically. “I’m sure it’s very difficult.” “Yeah.” And Tori isn’t exaggerating. Even now, resting on a couch, her bones and muscles feel wearier than she ever thought possible; her last physical therapy session was almost 24 hours ago, and all she wants to do is nap. Her wheelchair is stationed only a few feet away, and as much as she hates the sight of it, she is relieved that she will not have to walk out of here later. “Is there anything else you’d like to talk about?” Dr. Nguyen asks. “Not really. No.” Tori clutches the pillow more tightly as she looks up at the clock on the wall, wondering how fast the next 18 minutes can possibly pass. “Thank you,” Sarah says to the intern who deposits her in Molly’s office suite. The anteroom looks the same as always, but the big desk where Cameron Kelley once sat is too neat, and the chair behind it is empty. Sarah hasn’t often visited her sister at work over the years, but when she has, the receptionist normally waves her by; today, however, she had to sign in and then be escorted to her destination. Philip might be gone, but the terrible specter of what he did will linger for a long time. * * * * * Jason and Natalie sip their lattes as he drives toward their destination. Though he keeps reminding himself to be calm, the knot in the pit of his stomach shows no signs of untangling itself, and he finds himself staring absently at the brake lights ahead and the raindrops on the windshield.
“Did you tell her we were coming?” Natalie asks, an edge creeping into her voice. “I said I might stop by, but that’s it.” He sees that she is ready to boil over. “I didn’t want to freak her out! If I said we had news, she might think— I don’t know—" “Why would that freak her out?" He turns the wheel as he mulls over his answer. “She’s on edge these days. I think she’s had more than her share of nasty surprises in the last year." “Yeah,” Natalie agrees in a grudging tone, one that has to admit that he has a point even if she isn’t ready to concede defeat entirely. He reaches over and takes her hand. “She’s going to be thrilled.” Only a few minutes later, they are parked in front of his parents’ house. They look at one another, take a deep breath, and then walk up the stairs to the front door. As Jason rings the doorbell, he is hit with a wave of fresh, unexpected sadness as he realizes that there is no chance that his father might be home — that he will never be home again, will never know this child that Jason and Natalie are going to bring into the world. “Hi,” Paula says, surprised, when she opens the door. “Come in, come in." “We aren’t interrupting, are we?” Jason asks. “Sorry I didn’t call ahead—" “Oh, please. I was just having some espresso—" “Okay, because we have news.” He wraps an arm around Natalie and pulls her close. “We’re having a baby." “You are?” Paula clasps a hand over her mouth. “Oh, my!" Before Jason can answer, another voice cuts in: “You’re what?" He and Natalie look toward the kitchen, where Helen Chase stands in the doorway, eyes wide. END OF EPISODE 814 How will Helen take Jason and Natalie’s news?
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