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(FOOTPRINTS)Tj
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(episode #141)Tj
T*
(a few days after )Tj
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(#140)Tj
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(________________________________________________________________ )Tj
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(TEASER)Tj
T*
(EXT: FISHER HOME)Tj
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(MIDDAY)Tj
0 -2.55714 TD
(Dressed in baggy gray sweatpants and a red Old Navy fleece pullover, Jas\
on steps out of his car at the )Tj
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(curb. He looks up at the porch and jogs up to it with intrigue, forgetti\
ng his skating bag in the trunk.)Tj
0 -2.55714 TD
(JASON: What are you doing here?)Tj
0 -2.55714 TD
(Sarah turns, holding up her hands as a sign of confusion.)Tj
T*
(SARAH: I'm not sure.)Tj
0 -2.55714 TD
(Having reached the front door, Jason casts her an odd look.)Tj
0 -2.55714 TD
(JASON: Huh?)Tj
T*
(SARAH: Mom called me and told me to come over at noon. She said there's \
something I need to hear.)Tj
0 -2.55714 TD
(JASON: Weird \205)Tj
0 -2.55714 TD
(SARAH: What?)Tj
T*
(JASON: She kept double-checking that I'd be home at noon before I left t\
his morning.)Tj
T*
(Sarah lowers her voice without even thinking about it, suddenly glad tha\
t she hadn't yet rung the )Tj
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(doorbell when Jason arrived.)Tj
0 -2.55714 TD
(SARAH: What do you think is going on?)Tj
0 -2.55714 TD
(JASON: I have no idea \205 Do you think there could be something wrong w\
ith her?)Tj
T*
(Sarah shrugs somberly.)Tj
T*
(SARAH: I guess we'll find out, won't we?)Tj
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(Jason flips through his keys briefly and finds the correct one. He looks\
up at his sister as he sticks the )Tj
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(key in the lock and turns it.)Tj
0 -2.55714 TD
(JASON: I guess so.)Tj
0 -2.55714 TD
(Pushing the door open, Jason forges ahead into the house. Sarah lags beh\
ind, making the Sign of the )Tj
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(Cross and moving her lips in hurried whispers as she follows him.)Tj
0 -2.55714 TD
(ACT ONE)Tj
T*
(INT: MORIANI HOME \(LIVING ROOM\))Tj
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(MIDDAY)Tj
0 -2.55714 TD
(Nick strolls into the room and is greeted by the sarcastic screech of Ju\
dge Judy emanating from the )Tj
0 -1.2 TD
(television. Ryan, positioned on the sofa and totally focused on the prog\
ram, is wearing an amused but )Tj
T*
(goofy smile.)Tj
0 -2.55714 TD
(NICK: What kind of garbage are you watching now?)Tj
0 -2.55714 TD
(RYAN: Really funny garbage.)Tj
T*
(He laughs loudly as the words "You, sir, are a moron!" come shooting out\
of the TV.)Tj
0 -2.55714 TD
(NICK: What is this, some kind of circus in a courtroom?)Tj
0 -2.55714 TD
(RYAN: No, it's like "People's Court" - only the people are dumber and th\
e judge gets to insult everyone.)Tj
T*
(Nick shakes his head.)Tj
T*
(NICK: I must be missing something.)Tj
0 -2.55714 TD
(Nevertheless, he takes a seat beside his son.)Tj
0 -2.55714 TD
(NICK: This feels remarkably similar to when you where a teenager. I didn\
't understand a thing you did )Tj
0 -1.2 TD
(then.)Tj
0 -2.55714 TD
(RYAN: Yeah, well \205)Tj
0 -2.55714 TD
(His face lights up, and it's apparent that an important thought has hit \
him.)Tj
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(RYAN: I didn't tell you about my visit to Claire yesterday, did I?)Tj
0 -2.55714 TD
(Nick's demeanor immediately turns grave.)Tj
0 -2.55714 TD
(NICK: No, you didn't - and honestly, I'm not sure if I want to know.)Tj
0 -2.55714 TD
(RYAN: What's that supposed to mean?)Tj
T*
(NICK: It just seems that Claire Robbins always manages to stir up troubl\
e, which is something we could )Tj
0 -1.2 TD
(certainly do without right now \205 although I suppose she does have a d\
ifferent name now, correct?)Tj
0 -2.55714 TD
(RYAN: Yeah, it's Fisher now. Dad, what is your point?)Tj
0 -2.55714 TD
(NICK: I don't like this \205 fascination you've got with the woman! As I\
said, she seems to breed trouble. )Tj
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(And do you really think you can win her back, anyway?)Tj
0 -2.55714 TD
(***)Tj
T*
(INT: FISHER HOME \(LIVING ROOM\))Tj
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(MIDDAY)Tj
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(Tim and Molly's heads swing around at the sound of the opening door to g\
reet Sarah and Jason.)Tj
0 -2.55714 TD
(JASON: Hey. Mom told you guys to be here, too?)Tj
T*
(MOLLY: Yeah. Any idea what's going on?)Tj
T*
(JASON: Not a clue.)Tj
0 -2.55714 TD
(SARAH: I just really hope nothing is wrong. Especially health-wise.)Tj
0 -2.55714 TD
(MOLLY: There couldn't be anything - could there?)Tj
T*
(Sarah looks over at Tim, who has been silently leaning against the mante\
l until this point.)Tj
0 -2.55714 TD
(SARAH: Tim, you were saying something about her acting weird on New Year\
's Eve, right? Do you )Tj
0 -1.2 TD
(think it might be connected?)Tj
0 -2.55714 TD
(Tim's eyes snap up from the random spot of carpet on which they've been \
focused, and it's clear he's )Tj
0 -1.2 TD
(grappling with serious thoughts.)Tj
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(SARAH: Tim? Do you think it might be related?)Tj
0 -2.55714 TD
(TIM: I don't know - I \205 Where is Mom, anyway?)Tj
0 -2.55714 TD
(He is all too thankful for the change of subject.)Tj
0 -2.55714 TD
(MOLLY: Upstairs. She went up right before you got here.)Tj
T*
(SARAH: Would she just come down and tell us whatever she's gonna tell us\
, already?)Tj
T*
(The siblings exchange nervous glances, each uncertain of how to fill the\
stagnant silence.)Tj
0 -2.55714 TD
(ACT TWO)Tj
0 -2.55714 TD
(INT: MORIANI HOME \(LIVING ROOM\))Tj
0 -1.2 TD
(MIDDAY)Tj
0 -2.55714 TD
(Judge Judy has been completely forgotten amidst the escalated tensions b\
etween father and son.)Tj
0 -2.55714 TD
(RYAN: Yes, I do! Dad, between New Year's Eve and yesterday at the hospit\
al, I swear, she's feeling )Tj
0 -1.2 TD
(more for me than she's letting on.)Tj
0 -2.55714 TD
(NICK: Maybe you're just misinterpreting the fact that she hasn't gotten \
a restraining order yet.)Tj
T*
(Ryan pushes himself to a standing position, not even bothering to flash \
back a snide look.)Tj
T*
(RYAN: No, get this: The reason she's been so distant with me lately is b\
ecause her husband wants her to )Tj
0 -1.2 TD
(stay away from me. It wasn't her!)Tj
0 -2.55714 TD
(NICK: So from that you make the assumption that she's still in love with\
you?)Tj
0 -2.55714 TD
(RYAN: Well \205 No, but \205 I'm making progress.)Tj
T*
(Nick just rolls his eyes and tosses in a sigh for emphasis.)Tj
0 -2.55714 TD
(RYAN: What?)Tj
0 -2.55714 TD
(NICK: I don't like this, Ryan. For God's sake, the woman let her own fat\
her die - for this husband of )Tj
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(hers, no less! If you ask me, that's a sign of a marriage that might be \
a little difficult to break.)Tj
0 -2.55714 TD
(RYAN: You're letting the fact that James was your friend cloud your inte\
rpretation of this whole thing. )Tj
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(She had every reason in the world to let him die!)Tj
0 -2.55714 TD
(Nick's only response is quiet.)Tj
0 -2.55714 TD
(RYAN: Besides, there's more to that marriage that I know. He's fooled ar\
ound on her, I know - he has a )Tj
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(kid with some other chick.)Tj
0 -2.55714 TD
(Interesting as this is, Nick can muster only a low "hmph.")Tj
T*
(RYAN: I'm sure there are weaknesses there. I just need to find them and \
play on them.)Tj
T*
(NICK: Okay, well, let's assume you do somehow manage to get through to h\
er. You're not going to be )Tj
0 -1.2 TD
(able to hide the fact that you really are in business with me forever. D\
on't you think that could be a )Tj
T*
(complicating factor?)Tj
0 -2.55714 TD
(An undaunted Ryan is about to respond enthusiastically when another defe\
nse altogether grabs hold of )Tj
0 -1.2 TD
(his tongue.)Tj
0 -2.55714 TD
(RYAN: I suppose I could ask the same of you and Katherine Fitch.)Tj
T*
(***)Tj
0 -2.55714 TD
(INT: FISHER HOME \(LIVING ROOM\))Tj
0 -1.2 TD
(MIDDAY)Tj
0 -2.55714 TD
(Four pairs of eyes jump to the stairs as the sound of footsteps awkwardl\
y fills in the emptiness in the air.)Tj
T*
(PAULA: Oh, good, you're all here.)Tj
T*
(Her posture serves as a sign of the tension that is ruling her day: shou\
lders slightly slumped, hands )Tj
0 -1.2 TD
(folded in front of her.)Tj
0 -2.55714 TD
(MOLLY: Mom, what's going on?)Tj
0 -2.55714 TD
(PAULA: Don't worry. There isn't anything wrong.)Tj
T*
(SARAH: Are you sure?)Tj
0 -2.55714 TD
(PAULA: Yes, yes, I'm positive.)Tj
0 -2.55714 TD
(The rapid fire continues with the next desperate question.)Tj
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(JASON: Then what's going on? You said there's something you wanna tell u\
s \205 ?)Tj
0 -2.55714 TD
(PAULA: Yes.)Tj
0 -2.55714 TD
(She draws a deep breath, steeling herself for the words that are to come\
.)Tj
0 -2.55714 TD
(PAULA: There's something you all need to know. )Tj
T*
(ACT THREE)Tj
T*
(INT: MORIANI HOME \(LIVING ROOM\))Tj
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(MIDDAY)Tj
0 -2.55714 TD
(Nick rotates his head so he's no longer looking at Ryan.)Tj
0 -2.55714 TD
(NICK: That's none of your business.)Tj
T*
(RYAN: Why not? You certainly haven't kept out of my business.)Tj
0 -2.55714 TD
(NICK: That's because it's a bad idea for you to be chasing Claire!)Tj
0 -2.55714 TD
(RYAN: Oh, but it's okay to drag a perfectly innocent woman into this typ\
e of life? God, if everything )Tj
0 -1.2 TD
(you've argued about Claire has any merit at all, it's that it proves she\
's tough and can deal with this stuff. )Tj
T*
(Can you say the same for Katherine?)Tj
0 -2.55714 TD
(Nick has been leaning forward, but now he drops back against the sofa.)Tj
T*
(NICK: I'm not getting Katherine involved in anything. We're just friends\
.)Tj
0 -2.55714 TD
(RYAN: What a bunch of bull! You know as well as I do that the two of you\
are getting beyond )Tj
0 -1.2 TD
(friendship.)Tj
0 -2.55714 TD
(After a few moments of silence, Ryan makes an exaggerated gesture with h\
ands and face, as if to ask, )Tj
0 -1.2 TD
("Are you gonna say anything?")Tj
0 -2.55714 TD
(NICK: What would you like me to say? That I don't enjoy her company? Of \
course I do! But I certainly )Tj
0 -1.2 TD
(don't plan on dragging her into anything dangerous.)Tj
0 -2.55714 TD
(RYAN: You're doing it just by spending time with her!)Tj
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(Nick would like to argue, but he knows he cannot.)Tj
0 -2.55714 TD
(***)Tj
0 -2.55714 TD
(INT: FISHER HOME \(LIVING ROOM\))Tj
0 -1.2 TD
(MIDDAY)Tj
0 -2.55714 TD
(Paula feels as though every ounce of energy in the room is fixed upon he\
r as she begins her explanation.)Tj
T*
(PAULA: I've wanted to tell all of you this for so long. I suppose I've d\
one a lot of stalling - saying it )Tj
0 -1.2 TD
(would be best left unsaid, thinking you might not be able to handle it \205\
But it's enough already. I have )Tj
T*
(to do this.)Tj
0 -2.55714 TD
(Molly and Jason lock eyes, each trying to hide the worry that is sending\
a dizzying tingle through their )Tj
0 -1.2 TD
(stomachs and limbs.)Tj
0 -2.55714 TD
(PAULA: Now, I know this might make you angry at me, or make you think le\
ss of me, but I just can't )Tj
0 -1.2 TD
(keep it to myself any longer.)Tj
0 -2.55714 TD
(Tim cannot rid his mind of the scene from Thanksgiving. Can it really be\
true \205 ?)Tj
T*
(PAULA: It was thirty four years ago, and-)Tj
0 -2.55714 TD
(Everyone basically jumps at the sound of the door opening. In a flash, P\
aula has fallen completely quiet.)Tj
0 -2.55714 TD
(Bill looks around, finding his four children gathered around Paula, hang\
ing on her every word.)Tj
T*
(BILL: What's going on here?)Tj
T*
(ACT FOUR)Tj
0 -2.55714 TD
(INT: CAR)Tj
0 -1.2 TD
(MIDDAY)Tj
0 -2.55714 TD
(Sarah's focus is hardly on her driving as she turns the car into her apa\
rtment complex.)Tj
T*
(What the hell was that all about?)Tj
0 -2.55714 TD
(The way Paula gathered them all and began to pour out her heart \205 the\
way Bill ushered everyone out )Tj
0 -1.2 TD
(of the house so quickly. He looked outraged - he was trying to suppress \
it, but Sarah could tell.)Tj
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(This is quickly forgotten, however, as a more pressing matter overtakes \
Sarah's mind. She swings her car )Tj
0 -1.2 TD
(into a parking spot just in front of the apartment as the subtle queasin\
ess she's been feeling all day )Tj
T*
(suddenly turns to full-blown nausea.)Tj
0 -2.55714 TD
(Fumbling for her key with one hand as she dashes to the apartment door, \
Sarah uses the other hand to )Tj
0 -1.2 TD
(cover her mouth.)Tj
0 -2.55714 TD
(END OF EPISODE #141)Tj
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(Next)Tj
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trailer
<]>>
startxref
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%%EOF